From the
very beginning, while the book sets out to properly portray “colonial Egypt” it
seems to be playing heavily into the twisted Western notion of how people in
the Middle East live.
Amina the
wife is subservient, happy to be locked away from the world, content with her
chores and the birds on the roof. She is meek and subservient, to the point
where she is almost eager to wake up and take care of her drunken husband every
single night. Only once are we shown any sign of resistance, when she looks
back and remembers a “polite objection to his repeated nights out. His response
was had been to seize her by the ears…” Now she is content with her marriage
that gives her a “type of security based on surrender”.
The way her children treat her can be seen as a continuation
of her husband’s contempt towards her. She admits that she cannot contain her
rowdy bickering children, and her daughter insults her only to be told a pray
in response.
Amina’s
obsession with the “jinn” and constant need for prayer to restrain the ghosts
around her immediately set off alarm bells, her mental state is called into question,
and one can only wonder if she was always like that or if her marriage caused
this imbalance.
The only place
she feels strong is in the kitchen “here she was queen” and from this comes the
only way she can get complements from her husband, on her “perfect food” (14)
Sayyid’s
character fits into the mold of the wild Middle Eastern man, horrible to his family
and drowning himself in booze. His thirst for alcohol is matched by his thirst
for women
“…professional women entertainers of today are the slave
girls of yesterday, whose purchase and sale God made merciful”
He is
presented as a boisterous drunk who despite being well liked by his friends, is
seen a terror to his own children. “When they [the children] were in his
presence they would not even look at each other, for fear of being overcome by
a smile…” His departure is describes as a prison guard releasing the shackles
on the prisoners.
The daughter
who is said to be beautiful, Aisha, is described in a very western sense of
beauty. “She has a white complexion suffused with rosy highlights and her father’s
blue eyes…she had golden hair”. While it is not as if such traits cannot be
found in Egypt, the entire combination can be seen as a Western ideal.
So far the
book seems to be fitting quite well into the Western mold that has been created
for the people of the Middle East.
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