Oh the Irony
One of my favorite elements of Hesse’s Siddhartha is the elements of irony that
occur throughout the story. Decisions
that Siddhartha makes at the start of the novel seem to change as the story
progresses. One example of this is Siddhartha’s whole purpose of wandering. Siddhartha leaves his home to join the
samanas because he wishes to find deliverance from his ego. When Siddhartha and Govinda go to find
Gautama, the Sublime one, Govinda gets taken in by his teaching and decides to
stay with him. Siddhartha, however,
leaves stating that if he were to stay, “I fear that my ego would actually live
on and grow big” (33). Therefore,
Siddhartha leaves his “shadow” (Govinda) in order to maintain his own path to
free himself from his ego. The irony
occurs later in the novel when Siddhartha’s ego begins to overtake him. In his quest to free himself of his ego,
Siddhartha has an epiphany that he has not taken the time to get to know himself
and that is the problem. However, in
doing this, he becomes the very thing that he laughed at; a wealthy merchant that
is controlled by his ego. He states, “Property,
ownership, and wealth had also finally captured him” (70). Despite his determination find deliverance from
ego, Siddhartha’s quest led him straight to the opposite.
The second ironic element in the
novel is what Siddhartha expects of his son versus what he expected of his
father. When Siddhartha leaves home
initially, he does receive the blessing of his father. However, this is only after much stubborn
actions on Siddhartha’s part. His father’s
initial reaction is, “I do not wish to hear that second request a second time
from you lips” (9). It is clear from
this reaction that Siddhartha’s father wishes him to remain home and become a
prince among the Brahmins. Siddhartha
does not wish this and leaves to pursue his own interests and dreams. Siddhartha’s mentality changes greatly,
however, once this situation occurs with his own son. Siddhartha’s son is used to a wealthy life style
with servants, extravagant clothes, and plentiful food. He is not fit to live in a hut on the side of
a river. Siddhartha acknowledges this
and realizes the best thing for his son would be to bring him back to the town. Unfortunately, Siddhartha does not do this
because of his own selfish intentions.
Siddhartha does not want his son to be consumed by the ego and be submerged
in samsara but would rather him live the life of a samana. This is not what his son would like to become
as is illustrated by his words to his father, “I’d rather be a highwayman and
murderer and go to hell than become like you” (108). In keeping his son at the river against his
wishes, Siddhartha is doing the very thing that he fought his father against. I think it is interesting that both elements
of irony seem to occur between what Siddhartha wishes when he was younger, and
his actions as he becomes older. The
things that Siddhartha is against as a young boy seem to be the characteristics
of his actions as an adult.
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